A large mansion is seen, lightning flashes in the background. The veiw changes via tracking shot into the main hallway of the mansion. Man1 runs up the stairs holding an old victorian oil lamp. He is wearing a jacket and cloak. The camera tracks sideways now to show the words ‘LensPic Films’ written in glass. A flash of lightning creates a lensflare through the glass. The shot changes to show Man1 walk through a door, a close up shows his face in defined light as he turns to see what has happened when the sound of a door slamming echoes in the hallway. You see Man1s shadow on the wall with the name of the actor playing him. The shot changes to show Man2 sitting in an armchair with a glass of brandy, his face not shown. Man1 walks through the door behind him. Man1 crosses over the room dropping a box onto the small table beside Man2. Man1 and 2 disscuss an issue of the past before Man1 decides he’s had enough and leaves. Man2 stands, opens the box and looks inside. The fire flickers and the name of the actor playing Man2 is shown in the flame. He shuts the box and proceeds to leave the room. He is seen walking down a corridor, the candles on the wall going out behind him. A flash of lightning shows the shadow of a raven, another flash shows words reading ‘The Raven’.
Wednesday, January 9, 2013
Thursday, January 3, 2013
Research: Viewer Profile
Tuesday, January 1, 2013
Research: Taking Old Ideas
Psycho, Sixth Sense and The Woman in Black are three psychological thrillers that have been very successful. The gross income for these films ranged from $50 million to over $600 million. Other films of the same genre have almost always made a profit of over $30 million. This bodes well for our film because it would almost ensure a good profit for the film, meaning that a film studio would be more likely to invest in such a film.
The basis for all these films is intrigue, mystery and the heartstopping moments of fright. This is what I want to replicate in this film. However I am changing the simple basic idea from being scared due to what is being seen and changing it to what is not seen.
I want to go back to the old days of horror films, such as ‘The Birds’ and the rest of the old Hitchcock Films. The idea that there is something that you are keeping from the audience. I put this ‘something’ in a box, and made this box mysterious and unknown, and that the audience will only see what is in the box at the end of the film.
Sunday, December 30, 2012
Planning: Inspiration
A long time ago I watched an episode of The Simpsons which I enjoyed and I wanted to find out more about the poem The Raven by Edgar Allan Poe. Simpsons Link Click Here. I read the poem and found some readings of it by famous actors Link 1 : Link 2
Wednesday, November 28, 2012
Research: Psychological Thriller Research on Scoop.it!
I did research and added it to Scoop.it! which is an internet based electronic pin board.
Click here to show link
Thursday, November 15, 2012
Research: Art of the Title
You Only Live Twice
We see Bond lying dead and the camera zooms into the blood. A pattern comes onto the screen, resembling an oriental umbrella. Behind this pattern is a womens eye, This is then replaced by red and Sean Connery’s name comes up. Preceeding this we saw the director’s and producers’ names. These are the three most important names in the film. The next words shown are the name of the film, ‘You Only Live Twice’, and the fact that it was originally an Ian Fleming book.
The title being early in the sequence shows us that it is a relatively old film, because it is not early in the sequence, being a false older film, or later in the sequences like most modern day films. The main title names for the films are shown on a background of women and a volcano. This is a classic Bond theme, as well as the sillouettes and music, sung by Nancy Sinatra. This intro is instantly recognisable as a Bond film.
Mission Impossible
Flame and sparks. The first thing we see is a fuse. The classic theme that was behind the original Mission Impossible TV series has been brought into the film opening sequence. Short cut clips are shown in time to the music, the strong beat behind the all too recognizable peice of music is in harmony with the length of the cut clips.
As the clips of the rest of the film are shown, clips of the fuse are intercut into it. Showing us that everything is leading to something explosive. We see the names of the agents, and the names of the actors. These names preceed the end of this short sequence showing the main title of the film.
The scene cross disolves into a man sitting in a plane seat. Important names still coming in and out, while the camera pans out to show a flight attendant. She offers the man a film. He turns her down, then reconciders once she pushes. He proceeds to be given a mission, this adds a layer of mystery for the audience. Pushing us to watch more and finish the film.
Ocean's 11
Friday, November 2, 2012
Research: Ideas
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